MMMOOOAAAAAYAYA
illuminati hotties
"MMMOOOAAAAAYAYA" arrives like a burst pipe — pressurized, slightly unhinged, and deliriously fun. Sarah Tudzin's production for illuminati hotties has always leaned into a kind of controlled chaos, but here the chaos gets a little more airtime. The guitars are jagged and trebly, the drums punchy without feeling polished, and the overall texture has the warm, slightly overdriven quality of a basement show where someone turned everything up one notch too many. The title — a string of vowels screamed rather than sung — tells you exactly where this song lives emotionally: in the part of the brain that just wants to make noise for the pure physical relief of it. Tudzin's vocal delivery oscillates between speaking, half-singing, and outright hollering, and the transitions are so abrupt they feel like whiplash you asked for. Thematically it orbits the kind of frustration that has tipped over into absurdity, where you're laughing at your own exasperation. It fits squarely in the lineage of bratty indie pop-punk — a genre that has been quietly thriving in DIY circles and small venues. Play this when you need to shake something loose: a bad day, a bad mood, the pressure of taking anything too seriously. It's medicine that tastes like a sugar crash.
fast
2020s
raw, jagged, overdriven
American, DIY indie pop-punk scene
Indie Rock, Pop-Punk. Indie Pop-Punk. playful, defiant. Bursts into absurdist frustration immediately and escalates through each section into pure cathartic noise-release.. energy 9. fast. danceability 7. valence 6. vocals: female, oscillates between speaking and hollering, abrupt transitions, irreverent. production: jagged trebly guitars, punchy drums, overdriven warmth, basement-show aesthetic. texture: raw, jagged, overdriven. acousticness 2. era: 2020s. American, DIY indie pop-punk scene. When you need to shake something loose — a bad day, a bad mood, the pressure of taking anything too seriously.