It Runs Through Me (feat. De La Soul)

Tom Misch wraps this track in a warmth that feels almost physical — the guitars are mellow and unhurried, the chord changes so comfortable they feel like settling into a familiar chair. De La Soul's presence is entirely right for this material; they don't perform so much as converse, their voices carrying the easy authority of people who've been making this kind of music longer than most listeners have been paying attention to it. The production has a deliberately vintage softness — nothing is too bright, nothing too sharp — and that sonic choice tells you something about the intention: this is music interested in feeling good rather than impressing you. There's genuine affection between the parts, the horns and the rapping and the bass all leaning into each other the way collaborators do when they're actually listening. As a cultural object it sits comfortably in the neo-soul/jazz-funk tradition that Misch helped bring to a younger British audience in the late 2010s. You'd put this on a Sunday morning, ideally with nowhere to be, and let it run straight through.