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Where most Davichi songs lean into heartbreak and longing, this track flips the emotional register into something almost playful — an anxious, affectionate impatience rather than sorrow. The production has a buoyancy to it: a mid-tempo beat with a bouncing melodic hook that lodges in the brain immediately, bright synth accents that keep things from ever feeling heavy. The duo's signature harmonies are deployed here with a lightness of touch, their voices intertwining in a way that conveys excitement rather than sorrow. The song is about the specific restlessness of waiting for someone to call, the way romantic anticipation can feel indistinguishable from mild panic — hence the title, which mimics the Korean numeric slang for "hurry hurry." It was a product of the late 2000s K-pop moment when idol-adjacent vocal groups were occupying a space between pure pop and emotive balladry, and Davichi wore that blend more naturally than most. The song has the quality of something you'd hear pouring out of a convenience store in 2009 and feel instantly at home in, a small perfect capsule of yearning that never overstays its welcome. Play it when you're checking your phone for the third time in ten minutes.