출발

This one moves with purpose — the tempo brisk, the arrangement carrying a forward momentum that distinguishes it immediately from Dong-ryul's more introspective work. Piano anchors the rhythm, but there is an orchestral optimism at work in the strings and the way the melody climbs rather than turns inward. The emotional register is genuinely hopeful, which in Dong-ryul's catalogue is notable precisely because his tenderness usually arrives through a veil of wistfulness; here the feeling is cleaner, the joy less complicated. The song is about leaving, about stepping into what comes next with full commitment, and the musical choices all support that forward motion — phrases that don't linger, a vocal delivery that leans into each note rather than dwelling. What keeps it from feeling naive is Dong-ryul's voice, which carries enough lived weight to make optimism sound earned rather than easy. You feel the cost of arrival in the way he sings departure. Korean listeners often associate this song with transitions: graduation, relocation, a new chapter chosen rather than fallen into. It works best in the morning of a significant day, played loud enough to feel it in your chest.