Alright

"Alright" is the plush, unhurried counterweight to Monét's louder moments — a slow-rolling groove built on warm Rhodes chords, a bassline that walks rather than struts, and hand percussion that keeps everything loose. It sits squarely in the neo-soul lineage that *Jaguar II* is fluent in, closer to a late-nineties Erykah Badu or D'Angelo pocket than to contemporary radio R&B, and it's mixed with unusual air around the instruments so the space itself feels like part of the arrangement. Monét's vocal is conversational and lightly layered, sliding between a soft head voice and a grounded lower register, and she uses her jazz-informed phrasing to land behind the beat rather than on it. The lyric works as a reassurance addressed both outward and inward: the calm insistence that things will settle, delivered with the earned steadiness of someone who's been through a long stretch of not being alright. Coming from an artist whose deluxe-edition material never feels like leftovers, it functions as an emotional exhale within the album's sequencing. Best suited to a slow morning, a kitchen with the light coming in sideways, or the long drive home when the adrenaline of an evening has finally worn off.