Shall We? (나 어떡해)

This track opens with a cushioned acoustic guitar figure that feels almost like a shy hand reaching out — tentative but warm. The production layers in gentle percussion and soft synth pads that breathe around Chen's voice rather than crowd it. The tempo sits in that comfortable mid-range where the heart naturally accelerates: not racing, but quickened. There's a lightness here that suggests spring afternoons and first dates, a blush rendered in sound. Chen's tenor is particularly expressive in its restraint — he doesn't push for power but instead lets a trembling softness communicate the flutter of new attraction. The lyrics circle around the helpless feeling of falling for someone without a safety net, that dizzy moment when you realize you've already gone too far to turn back. The chorus opens up gently, not explosively, like a door swung wide to let in light. Culturally, this sits at the intersection of Korean ballad sensitivity and contemporary R&B-inflected pop, with Chen's classical vocal training giving even the lightest moments a weight of sincerity. This is the song for someone sitting by a window in early spring, replaying a text they haven't answered yet, unsure whether to admit they're already smitten.