Treat Me Like Fire

LION BABE arrives fully formed on "Treat Me Like Fire" — all confrontation and demand, voiced through a groove so deep it functions almost as a physical argument. The production is built on funk foundations but processed through contemporary electronic sensibility: synthesizer bass that hits in the body, drums with precision snap, guitar textures that add grit without muddying the frequency balance. The whole track has kinetic urgency, the kind of music that makes movement feel less like a choice than a physical response. Jillian Hervey's vocal is the kind that draws attention immediately — she projects with chest voice authority, moving between vulnerable directness and declarative intensity within single phrases. The lyric is about demanding to be seen and wanted on one's own terms, a refusal of half-measures, an ultimatum delivered from a position of knowing your own value. This fits within the broader tradition of Black women R&B artists who've used the music as a vehicle for self-assertion — but LION BABE operates in a zone where funk, neo-soul, and club-adjacent electronic production overlap in ways that feel distinctly 2010s New York. This is emphatically not passive music. It's for situations that require energy, for the beginning of evenings when you're deciding the terms under which you'll engage, for the private ritual of getting dressed when you're planning to be fully present.