Feeling Good

Calibre operates in a different gravitational field than most drum and bass producers, and "Feeling Good" demonstrates exactly why. The track draws from the deep well of the Nina Simone standard, but Dominic Martin doesn't simply update it — he lets the source material breathe through his own idiom, which is jazz-tinged, introspective, steeped in the warm analog textures of late-night listening. The bass is round and deliberate, the rhythm section swinging with a looseness that feels organic rather than programmed. Horns and piano fragments ghost through the arrangement, present enough to feel, faint enough to make you lean in. The vocal sample — wherever it lands in the mix — carries the declaration of the original without overselling it, the joy more earned than announced. There's a deep structural intelligence to how Calibre builds space, allowing silences to mean as much as notes. Emotionally, this is about genuine renewal — not a manufactured good mood but the specific elation of waking up and finding that something that hurt has, overnight, become manageable. This is music for the early morning hours when the city is still quiet, or for those rare afternoons when everything, inexplicably, feels exactly right.