Nightgown (feat. Loyle Carner)

Where the other collaborations between these two feel spacious and daylit, this one operates entirely in the small hours — a 3 AM conversation held in whispers so as not to break whatever spell has settled over the room. Misch's guitar here is sparse and almost tentative, single notes ringing out and fading before the next arrives, leaving deliberate silences that feel as meaningful as the sound. The bass is minimal, the drums barely more than a soft suggestion of pulse, and the whole arrangement seems to breathe rather than drive. Loyle Carner's delivery matches the temperature perfectly — hushed, fractured at the edges, as though he's narrating something he hasn't yet fully processed. The song circles around intimacy and vulnerability without ever becoming sentimental, holding its emotions at arm's length even as it reaches for closeness. There is something about the imagery of sleepwear in the title that makes the whole thing feel profoundly unguarded — this is the music of the version of yourself that exists before the day's armor goes on. It sits firmly within the introspective corner of the neo-soul movement that found its footing in South London in the late 2010s, a scene that prized sincerity over polish. Best heard lying on your back in the dark with headphones on, the kind of listening that feels almost too private.