모두 다 사랑하리

From the opening bars, "모두 다 사랑하리" announces itself as music designed for collective experience — there is a brightness and forward momentum to the arrangement that seems to reach outward, toward an audience, toward shared feeling. Songolmae built their 1980s sound on a foundation of rock guitar married to the kinds of melodic hooks that lodge immediately and refuse to leave, and this song is among their most purely generous: an expression of expansive warmth, of wanting to gather everyone into something. The rhythm has a bounce that stops short of frivolity, grounded enough to feel sincere. The vocals carry the kind of open, clear delivery that Korean pop-rock of the era favored — earnest without strain, confident without swagger. There is something politically and culturally significant about a song from this period expressing unconditional love for all people; the sentiment has weight when placed against the social pressures of 1980s Korea. Today it functions almost as nostalgia crystallized — the sound of a particular era's optimism, its belief in the possibility of uncomplicated joy. It belongs at gatherings, at moments of reunion, anywhere people need music that reminds them of what connects them.