Super Going

Where "Shock City" detonates, "Super Going" launches. The track moves with a propulsive ecstasy that the Boredoms rarely matched elsewhere in their catalog — even by their standards of intensity, this one burns with something close to euphoria. The drumming here is tribal in the most literal sense: multiple percussion lines weaving around each other until rhythm stops being something you count and starts being something you swim through. Guitar tones are bent so far from their source that they resemble synthesizers, or wind, or the inside of a turbine. Eye's vocal delivery has the quality of someone calling out across an enormous distance — not intimate, but urgent, communicating something that bypasses the interpretive brain entirely. There's a momentum to the track that feels inevitable once it begins, a sense that it could not slow down even if it wanted to. The emotional register is hard to name precisely: not happiness, not aggression, but something in between those poles that doesn't have a clean English word — the feeling of running at top speed through open space, lungs burning pleasantly. It belongs to Japan's avant-rock tradition in the way that a supernova belongs to astronomy: technically categorizable, practically overwhelming. This is music for movement, for state changes, for moments when the body needs the mind to get out of the way.