New to You (feat. Chlöe)

There's a nervous sweetness to this one from the first bar — a fluttery, buoyant synth line that carries something between anticipation and disbelief. Harris builds the track around Chlöe's voice, which has this extraordinary quality of sounding simultaneously powerful and vulnerable, a voice that can hold a note with the conviction of a gospel singer while still conveying the uncertainty of someone new to a feeling they can't name. The song lives in that fragile window before a relationship solidifies, when everything still feels provisional and electric. Lyrically it circles around the strangeness of falling for someone — the mild vertigo of discovering a person who unsettles your equilibrium in the best possible way. The production is plush and detailed: layered harmonics, a percussion groove that lands with a satisfying weight without being aggressive, chord progressions that resolve warmly rather than dramatically. It's the kind of track that makes a sunny afternoon drive feel cinematic, or turns a quiet apartment into somewhere you want to stay.