Disco Yes (ft. Karma Kid)

Where "Geography" is introspective, "Disco Yes" is Misch making an argument that joy is a serious aesthetic position. Featuring Karma Kid, the track is built around a groove that borrows from late-70s disco — four-on-the-floor pulse, glistening hi-hats, bass that slides rather than thumps — but runs it through a contemporary production lens that keeps it from feeling like pastiche. The guitar work here is funkier and more rhythmically locked, traded off against synth pads that have just enough nostalgia without becoming costume. Karma Kid's production contribution pushes the texture toward dancefloor utility without sacrificing the sophistication that defines the collaboration. The track has an almost architecturally satisfying quality: layers arrive and depart with intention, and the spaces between sounds are as deliberate as the sounds themselves. Emotionally it's uncomplicated in the best way — a song that believes pleasure is enough of a reason. You play this at the beginning of a party before anyone has had enough to drink, or while cleaning your apartment on a Sunday when you've decided to have a good day on purpose. It's music that functions as a small act of optimism.