All Things (feat. Maverick City Music)

Kirk Franklin's "All Things," featuring Maverick City Music, is contemporary gospel at its most communal and uplifting — a generational summit between Franklin, the architect of modern urban gospel, and the collective that redefined worship music for a younger, diverse congregation. The arrangement layers warm gospel chords, live drums, and a build toward full-choir catharsis, with Franklin's spoken exhortations weaving between sung passages in his familiar role as preacher-bandleader. Maverick City's signature is the unpolished, room-filling group vocal — multiple lead voices trading lines, harmonies that feel discovered rather than arranged, an intentional rawness that reads as authenticity. The lyric draws on Romans 8:28, the assurance that all things work together for good, transformed into a refrain of stubborn hope amid hardship. Emotionally it moves from weary acknowledgment toward defiant praise, the dynamic swell mirroring a spiritual breakthrough. Culturally this collaboration bridges gospel's institutional history with its streaming-era reinvention, Black church tradition meeting the multiethnic worship movement. It thrives in collective settings — Sunday service, a car full of family, a moment of personal crisis where you need to sing yourself back into faith. Even for secular listeners, the architecture of release — tension resolving into joyful affirmation — lands with undeniable, body-moving force.