1, 2, 3 (ft. Jason Derulo & De La Ghetto)

The song announces itself immediately with a percussive, rolling rhythm track that blends reggaeton dembow with a broader Latin pop sensibility — there is clave in the DNA here, and the production keeps a live, sunlit feel despite being clearly modern and studio-sculpted. Sofia Reyes carries the opening in Spanish with a voice that is warm and melodically nimble, playful without being frivolous. The hook is simple in the best possible sense: a counting motif that functions almost as a countdown to release, to dancing, to letting go. Jason Derulo slides in with his signature smooth baritone, and De La Ghetto brings a rougher, more street-honed reggaeton energy that deepens the sonic palette without disrupting the song's essential good-naturedness. The multilingual structure — Spanish and English trading verses, sharing space rather than competing — reflected a genuine cultural moment in mainstream pop, as Latin music was becoming not just globally successful but genuinely genre-defining. The track belongs to 2019's wave of crossover Latin pop that had been building since "Despacito" broke everything open two years earlier. It is unambiguously summer music: loud speakers on a terrace, a cold drink in hand, somewhere warm enough that the night stays outside and people stay on the dancefloor because there is nowhere else worth being.