All I Know

LSB's "All I Know" is deep, soulful drum and bass — the liquid end of the genre where breakbeats meet genuine emotional warmth. The production is the star: crisp, rolling amen-derived drums clocking around 170 BPM, a deep sub-bass that undulates rather than assaults, and above it lush, jazzy chords and a vocal sample stretched into something wistful and yearning. LSB (Luke Beavon) is a veteran of London's liquid D&B scene, and his signature is restraint — space in the mix, chords that breathe, a groove that feels both propulsive and melancholy at once. Emotionally it lives in that peculiar rave paradox: motion and nostalgia braided together, dancing while feeling something tender and half-lost. The looped vocal fragment carries most of the lyric essence — a sense of longing, of holding onto the little certainty love or memory provides. Culturally it belongs to the enduring UK drum and bass lineage — labels like Soul:r, Spearhead, and the Hospital orbit — where the music is built for both the dark of the club and the comedown afterward. The listening scenario is dual: a late-night dancefloor with your eyes closed, or the solitary headphone drive home when the beat becomes a companion. It's proof that D&B, so often stereotyped as pure adrenaline, can also be deeply, achingly soulful.