Talk Memory
BADBADNOTGOOD
The title track from their 2021 collaboration with Arthur Verocai announces its sophistication from the opening bars — BADBADNOTGOOD in full orchestral mode, chamber jazz providing a luxurious canvas for post-bop instincts they've honed across multiple albums. Verocai's string writing carries the warmth of Brazilian jazz tradition, MPB's harmonic richness translated into a Toronto quartet's improvisational idiom with surprising naturalness. Piano navigates these orchestral textures with practiced ease, finding space where another approach might crowd. The emotional register is autumnal — not sad exactly but oriented toward endings and recollection, the quality of certain late afternoon light that feels like remembering something you haven't lost yet. Production is immaculate, every element positioned in a soundscape that rewards close listening with discoveries that don't announce themselves. The cultural synthesis is genuinely accomplished: Brazilian orchestral jazz, Canadian post-bop sensibility, contemporary production aesthetics that serve the music without calling attention to themselves. Essential headphone listening, the full album its proper context.
slow
2020s
warm, lush, layered
Canada / Brazil
Jazz, Chamber Jazz. Orchestral Post-Bop. Nostalgic, Autumnal. Opens with warm orchestral sophistication, builds through lush harmonic layering, and resolves into bittersweet reflection on endings and recollection. energy 3. slow. danceability 2. valence 5. vocals: instrumental. production: piano, strings, Brazilian MPB influence, immaculate mixing, understated contemporary production. texture: warm, lush, layered. acousticness 7. era: 2020s. Canada / Brazil. Dedicated headphone listening in quiet solitude, ideally as part of the full album on a late afternoon.