시간이 지나면

"시간이 지나면" finds Nell operating in their most expansive mode — a slow-building cathedral of guitar textures and atmospheric production that takes nearly its full runtime to reach its emotional apex. Kim Jong-wan's vocal delivery here is perhaps his most restrained, which paradoxically makes the emotional impact more devastating: there's a discipline to the performance, a holding back that mirrors the lyrical content about the strange way time distorts experience, how things that felt unbearable eventually soften into something livable without ever fully disappearing. The song's production employs carefully controlled dynamic range — starting sparse, almost fragile, with single guitar notes hanging in open reverb before strings and additional instrumentation gradually fill the sonic space like morning light entering a room. The lyrical perspective is one of accumulated wisdom rather than fresh wound, the kind of reflection available only after significant time has actually passed and you can look back with clear eyes at what you survived. There's comfort being offered here, but Nell refuses to make it saccharine: the comfort is earned through honest acknowledgment of difficulty. This is music that rewards patient listening, that reveals new emotional layers with repeated plays, best experienced during solitary moments when you're trying to make sense of your own timeline — long runs, late drives through empty streets, or those quiet hours before sleep when perspective finally arrives.