Rise Up Lights
The Used
The Used's "Rise Up Lights" is a piece of controlled chaos from a band that made its name on emotional overspill. Built on a jagged, syncopated riff and a rhythm section that keeps shifting the ground, it plays with palindromic wordplay in its title and carries that same sense of things folding back on themselves — verses that skitter and stall before the chorus opens into a wide, gang-shouted melodic hook. Bert McCracken's vocal is the engine: a shredded, unpretty howl that drops into a sneering half-sung delivery, capable of turning a line into an accusation. The lyric traffics in disorientation, self-sabotage, and the exhausting circularity of a mind arguing with itself, delivered too fast to fully parse on first listen, which is appropriate. Production-wise it's dense and modern, guitars stacked and slightly digital, a departure from the raw scrappiness of the band's early-2000s Utah post-hardcore breakthrough and evidence of a group still willing to complicate its formula rather than repeat it. This is music for a bad mood you'd rather ride than fix — headphones on a long walk with your jaw set, a basement show where the ceiling is too low, the particular catharsis of screaming along in a car with the windows up.
fast
2020s
jagged, abrasive, dense
United States
post-hardcore, alternative rock. synth-tinged post-hardcore. aggressive, disoriented. Restless self-argument builds through skittering verses into a wide, cathartic gang-chorus release that circles back without resolving. energy 9. fast. danceability 3. valence 3. vocals: shredded howl, sneering half-sung, accusatory, unpretty. production: stacked guitars, dense layering, slightly digital, modern post-hardcore. texture: jagged, abrasive, dense. acousticness 2. era: 2020s. United States. Headphones on a long jaw-clenched walk or screaming along in a car with the windows up when a bad mood needs riding rather than fixing.