It's a Sin

Opening with a thunderous, almost liturgical chord progression, "It's a Sin" weaponizes the Catholic Mass against Catholic guilt with the precision of a cultural exorcism. The production is enormous — multitracked synths create something approaching a cathedral echo, while the rhythm section drives forward with relentless momentum, making the track feel simultaneously confessional and celebratory. Tennant's vocal is controlled outrage, each verse cataloguing a different category of shame instilled in childhood — thought, word, deed — before the chorus erupts into something that sounds almost like liberation despite the lyric's ambivalence. The song captures the particular experience of internalizing a religious framework that defines your existence as transgressive, and the complicated emotional landscape of rejecting that framework while still feeling its weight. There's anger here, but also grief for years spent in a posture of contrition, and a black humor that refuses to let the church have the last word. It works equally well blasting from speakers at full volume and listened to quietly alone in the dark.