拝啓グッバイさようなら

Hump Back play "拝啓グッバイさようなら" like they're trying to outrun something. The three-piece arrangement — guitar, bass, drums — leaves no room to hide, and they don't want any: everything is right at the surface, slightly ragged at the edges, powered by a velocity that feels less like performance and more like release. The title stacks three different Japanese ways of saying goodbye as if no single word is sufficient, and the song has that same quality of excessive sincerity — saying something three times because once doesn't feel like enough. The guitar tone is bright and slightly harsh, the kind that comes from turning up rather than processing, and the rhythm section underneath it is relentless in the best possible way. The vocalist sings with a rawness that makes her sound simultaneously young and much older than her years, as if the song is arriving directly from some point of genuine feeling without passing through the usual filters. Hump Back belong to the Japanese female-fronted punk lineage that stretches from the 1990s through to contemporary indie scenes, bands who understood that emotional honesty was a more radical act than aggression. The song carries the weight of endings that aren't clean — farewells that need multiple words because the feeling refuses to resolve. Play it when something is over but your body hasn't caught up yet.