Comme Il Faut

Where "Sleeping Lotus" drifts, "Comme Il Faut" moves with a sense of careful intention, each phrase stepping forward like someone choosing their words precisely. The piece opens with a repeated motif in the upper register — not quite a melody, more a question that keeps returning — while the left hand lays down a steady, almost walking harmonic foundation. Beving allows himself slightly more rhythmic clarity here, and the result is something paradoxically both structured and impressionistic, like a formal letter written with visible emotion. The dynamics shift organically, swelling in the middle section before retreating to whispered restraint, and it is in those quieter passages that the piece reveals its deepest character: an earnestness that resists irony. The title — meaning "as it should be" in French — colors the listening experience with a kind of moral seriousness, a sense that beauty and correctness can coexist. Emotionally, it occupies territory between nostalgia and resolve, evoking the feeling of returning to something familiar after a long absence and finding it unchanged. The piano tone itself is warm and slightly dark, recorded with minimal treatment, preserving the natural acoustics of the instrument. This is music for the early morning commute when the city is still waking, or for the quiet hour after difficult news when you need something that holds its shape.